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"Why should I? She never comes near us, never takes the least notice of us. She treats us as though we were a detested branch grafted on, and causing more trouble than we are worth, yet she will not let us go." He made all kinds of animals that travel on the ground. When he made the big-horn with its great horns, he put it out on the prairie. It did not seem to travel easily there; it was awkward and could not go fast, so he took it by one of its horns and led it up into the rough hills and among the rocks, and let it go there, and it skipped about among the cliffs and easily went up fearful places. So Old Man said to the big-horn, "This is the place for you; this is what you are fitted for; the rough country and the mountains." While he was in the mountains he made the antelope, and turned it loose to see how it travelled. The antelope ran so fast that it fell over some rocks and hurt itself. He saw that this would not do, and took the antelope down on the prairie and set it free there, and it ran away fast and gracefully, and he said to it, "This is the place that suits you." Out in front of the camp was a large spring, and to that place Red Robe went and stood leaning against a large stone and looking sadly down into the blue water. Soon, as he had thought, Mā-mĭn´ came to the spring for a skin of water. He took her hands, as he had done before, and began to beg her to go away with him that very night, before it was too late. The girl cried bitterly, but at first she did not speak..

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A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood. "Would you bite me?" murmurs she, fondly, as the bird flies off again alarmed at the presence of the tall stranger, who already is busy comparing most favorably the face of its mistress with the faces of all the fashionable beauties London has been raving about for eighteen months. "Every morning they torment me like this," she says, turning to Geoffrey, with a little pleasant confidential nod. She is plainly quite enchanted with the sensation she is creating, though she is far from comprehending how complete that sensation is. Something in her expression appeals to Doatie's heart and makes her involuntarily go closer to her. Her face is transfigured. It is full of love and unselfish joy and happy exultation: always lovely, there is at this moment something divine about her beauty. Under the name Na´pi, Old Man, have been confused two wholly different persons talked of by the Blackfeet. The Sun, the creator of the universe, giver of light, heat, and life, and reverenced by every one, is often called Old Man, but there is another personality who bears the same name, but who is very different in his character. This last Na´pi is a mixture of wisdom and foolishness; he is malicious, selfish, childish, and weak. He delights in tormenting people. Yet the mean things he does are so foolish that he is constantly getting himself into scrapes, and is often obliged to ask the animals to help him out of his troubles. His bad deeds almost always bring their own punishment..